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Kajwa
Kajwa

Kajwa

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गंगाधर गाडगीळ समग्र कथा मालिका : खंड ९

महायुद्धोत्तर कालखंडातील नव्या वाड्मयीन युगधर्माचे प्रतिनिधित्व करणारे गंगाधर गाडगीळ हे मराठीतील एक अग्रगण्य कथाकार होत. कथा या साहित्यप्रकाराची संकल्पना ‘नव’ विणे, ती अधिक खुली करणे हे श्रेय निःसंदिग्धपणे त्यांचे आहे.

गाडगीळांनी आपल्या कथालेखनातून एक नवी कथादृष्टी व्यक्त केली. कथेच्या विविध घटकांच्या स्वरूपात व योजनेत त्यांनी मूलगामी परिवर्तन घडवून आणले, त्यामागचे गमक त्यांच्या कथेतील अनुभवरूपांचे, कथार्थाचे अपारंपरिक / नवीन स्वरूप हे आहे. त्यांच्या नवकथेने मराठी साहित्यक्षेत्रात ज्या नव्या वाङ्मयीन जाणिवा रुजवल्या, त्यांतून मराठी कथा अधिक मूल्ययुक्त तसेच विविध अंगांनी समृद्ध होण्याच्या शक्यता निर्माण झाल्या. त्यांच्या कथासाहित्यातून प्रकटलेल्या कलादृष्टीचा संस्कार केवळ कथाक्षेत्रापुरता मर्यादित न राहता एकूण मराठी ललित साहित्यावरही तो पडला, असे म्हणणे यथार्थ ठरेल.

गाडगीळांच्या कथेचे महत्व केवळ ऐतिहासिक स्वरूपाचे आहे, असे नाही. तिच्यातील कलापूर्णता तसेच मौलिकता स्वतंत्रपणेही लक्षणीय आहे. गाडगीळांच्या कथेचा प्रवास हा कलावंत म्हणून त्यांचा स्वत्वशोध आहे, गंभीरपणे घेतलेला एक मूल्यशोध आहे.

“काजवा” हा कथासंग्रह १९६० साली प्रथम प्रकाशित झाला. कथार्थानुसार कथागत कालप्रवाहाचा असणारा कमीअधिक वेग, स्थळाचा लहानमोठा आवाका, व्याप्ती, प्रसंगी स्थळ आणि काल यांच्या अवकाशात केलेले मुक्त भ्रमण या सर्वांचा निवेदनाशी असलेला अंगभूत संबंध, निवेदनातील साहचर्यतत्त्वाधिष्ठित संगती, अनेकार्थतेचे परिणाम यांचा प्रत्यय गाडगीळांच्या कवेतून येतो. ‘काजवा’ हे त्याचे ठळक उदाहरण आहे.

– सुधा जोशी Gangadhar Gadgil Samagra Katha Series : Volume 9

Gangadhar Gadgil was one of the leading storytellers in Marathi, who represented the new revolutionary era of the post-war era. Undoubtedly, the credit goes to him for 'renovating' the concept of Katha, making it more open.

Gadgil expressed a new story vision through his story writing. He made a radical change in the form and scheme of the various elements of the story, the reason behind this is the unconventional / new form of experience in his story. The new literary sensibilities that his new story instilled in the field of Marathi literature created possibilities for Marathi stories to become more valuable and enriched with various elements. It would be true to say that the culture of artistic vision manifested through his narratives was not limited to the field of narratives only, but also spread to the entire Marathi fine literature.

The importance of Gadgil's story is not only historical. Her artistry as well as originality is also remarkable independently. The journey of Gadgil's story is his self-discovery as an artist, a quest for values ​​taken seriously.

The collection of stories “Kajwa” was first published in 1960. According to the meaning of the story, the more or less speed of the narrative time flow, the small scope of the place, the extent, the free travel in the space of the place and time on occasion, the inherent relationship with the statement, the association based on the association in the statement, and the effects of multiple meanings come from Gadgil's poetry. 'Kajwa' is a prominent example.

– Sudha Joshi
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